Persuasion by
Priscilla Varner
The exhibit Persuasion by Priscilla Varner is a collection
of photographs accompanied with six words next to each photograph. In a short note in the gallery, Varner
addresses the subtle forms of persuasion that we are bombarded with throughout
our day by advertising that we usually don’t take notice to. She explains that her goal in this
photographic series was to show how the persuasive tactic of word choice can
effect a viewer or reader. By placing
certain word along side her pictures, she is hoping that the words will
“persuade” the viewer to interpret the image differently than they may have if
they just looking at the image by itself.
“Visiteurs
Musee” appears to be a photograph of a
group of people in an art gallery. The
black and white print has black vignetteing around the border drawing the viewers eyes to
the silhouetted figures towards the middle of the picture. The lines on the ceiling and floor create
leading lines that draw the viewers eye to the silhouetted people as well. Most of these figures appear to be in motion
because their feet are frozen mid-step.
The figures closest to the photographer, being significantly shorter
than everyone else in the room and wearing a baseball hat, appear to be
kids. One of these kids is crouching
with his arm out stretched towards the other kid as if they are playing
tag. When simply looking at the image
the viewer gets the impression that the image is about a group of people moving
through an art gallery with their kids playing, but after reading the words
that Varner has placed next to the image the viewer gets a dramatically
different idea of what is going on in the picture. The words “darkness, distress, evacuation,
exit, swift, trepidation” printed to the right of the picture instantly change
the mood in the picture. All of the
people that once seemed to be taking normal relaxed steps now seem to be walking
quickly to the door. The kid that once
appeared to be playing tag with his friend now seems to be grabbing the other
kid, pulling him towards the exit. The
room that at first seemed to just be a naturally lit art gallery has now turned
into a dark, panic filled room. The
effect that these six words have on the way the image is interpreted is dramatic;
completely changing the mood from relaxed to chaotic. It is fascinating how a few descriptive words
can impact the atmosphere of an image in such a severe way, persuading you to
interpret the image in a completely different way from how you had previously
imagined it. All of Varner’s images in
this exhibit are accompanied by words of persuasion, but this image in
particular really struck me with much you can be persuaded by a few words. These words more so than any others in the
set completely changed how I interpreted the photograph.
The
pictures by themselves do not seem to relate to each other at all but their
accompanying words serve a dual purpose by tying the exhibit together. These words in a way turn the gallery into an
internal psychological experiment for the viewer, allowing them to watch their
thoughts to be persuaded one way and another by the words and images.
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